Made Violent is who they say they are

By: Emma

Made Violent’s EP debut cover featuring from left to right, Rob Romano, (vocals and guitar) Joe White (vocals and bass) and Justin Acee (drums).

Musicians from around the world usually come up with band names that mean something specific to their band, and that is exactly what Made Violent has done with theirs. From Buffalo, New York, Made Violent’s self-titled EP really describes who they are as a band and showcases their rebellious garage-rock style and rhythm. This five song EP is truly raw rock music at its finest.

Made Violent’s trio includes, Joe White, vocals and bass, Justin Acee, drums, and Rob Romano, vocals and guitar. They really made their first EP with an appetite for head banging, and a thirst for hard rock n’ roll. The EP includes, “Two Tone Hair,” “On My Own,” “Dirty,” “Inside Out” and “Wasted Days,” which all capture their brutal sound with a sharp guitar and powerful drums.

“Two Tone Hair” starts the album with an immediate guitar solo and hard drums, and a creative description of the girl White’s crazy for who has two-toned hair. This song can be equally chaotic and melodic, and really sets the rest of the EP up for its youthful toughness. The next song, “On My Own,” almost blends perfectly to “Two Tone Hair” and sets a theme for their original rhythm. “On My Own” really showcases White’s strong vocals and passion for his lyrics, while an electric guitar creates a memorable rhythm. The third song, “Dirty,” really describes the typical teen boy sex stage of wanting and needing to be with a girl, even one walking down the street, and showcases the talent of drummer Acee especially. It is a crazy, hormonal song with a lot of intensity. “Inside Out,” one of their more popular songs, includes a long, but great riff to complement the “misbehaving” of his lyrics and the band’s punk personality. The final song, “Wasted Days,” is a very catchy and relatable song for having great lyrics like, “talking to myself when no one’s ever listening,” and is almost like a great jam session really.

All in all, Made Violent’s debut EP is definitely worth investing in. It is a great start to what is more to come, and I believe releasing an EP as a debut rather than an album was a smart choice because fans will want more of the little taste the band gave them to begin with. Fans will definitely want more of their pure garage rock sound because it is recognizable yet original, and really makes them who they are. Thank you Made Violent for bringing back and showcasing hard rock; it will be exciting to hear more of your violent tendencies.


Mini Mansions are not pretending

By: Emma 

Mini Mansions’ album cover of The Great Pretenders.

With harmony reminiscent of The Beatles on steroids, the Mini Mansions have definitely produced their most successful album yet, The Great Pretenders, in March of 2015. Mini Mansions’ members, Michael Shuman, (vocals, drums and guitar) Tyler Parkford (vocals and keyboard) and Zach Dawes, (bass) together create a new wave, psychedelic pop sound of their own.

On The Great Pretenders, the Mini Mansions seem more confident and experimental with their lyrics and artificial sounds, setting them into a genre of indie pop and hypnotic, almost trans-like style. The vocals have impressive range, thanks to Shuman and Parkford, and make all of the songs on their album different in their own way of rhythm and mood. I believe some of the songs that make this album successful are “Freakout!,” “Death is a girl,” “Creeps,” “Any Emotions” (featuring Brian Wilson) and “Vertigo” (featuring Alex Turner).

The opening song, “Freakout!,” begins the album with the psychedelic feel the Mini Mansions were striving for. It creatively has the elements of deep and unnatural vocals, contrasted against the high pitched falsetto vocals of the chorus, which somehow creates an uplifting but dark song. This combination also sets the rest of the album up for more creative elements and a vast collection of musical notes and sounds to choose from.

“Death is a girl” is a bit more haunting in the way it is presented, and shows the more hypnotic style the Mini Mansions possess. It has a constant beat and high octave keyboard notes, which gives a positive vibe. This song perhaps describes the rebellious lifestyle some people choose by just living in the moment. For example, in the line, “Death is a girl and she’s only one dance away,” can describe the fact that people dance with death when they are young and when they live recklessly.

Mini Mansions from left to right, Zach Dawes, Michael Shuman and Tyler Parkford.

“Creeps” really stands out to me. The mean guitar riffs throughout the song sets a unique tone and really captivates the listener. The song also reminds me of The Beatles’ harmony with the fluent lyrics sung together by Shuman and Parkford. The lyrics are also curiously clever, such as, “Now I gotta stack you into my life, living cover of a magazine,” and “I’m giving me the creeps,” suggest the Mini Mansions’ talent of song writing also.

With the song, “Any Emotions,” the Mini Mansions take a different approach with simple lyrics and complex sounds and vocals. This song features Brian Wilson, who is co-founder of The Beach Boys and a singer/songwriter. He adds a bit of flare and publicity, but should have deserved a bit more lines in the song, to really feature him even more as an artist.

The song that really helped Mini Mansions stand out from the crowd is “Vertigo,” featuring Alex Turner. With the Arctic Monkeys’ and Turner’s large fan base, the Mini Mansions were noticed even more, helping the album become more successful. The Mini Mansions also toured with the Arctic Monkeys in the fall of 2014, so I think it is great how the bands connected by making a song together. During “Vertigo,” the Mini Mansions almost build up the song for Turner’s showcase and then after Turner’s solo, end the song with their indie pop style and signature guitar riffs and keyboard.

Mini Mansions’ 45 RPM orange vinyl record including Side A, “Vertigo,” featuring Alex Turner, and Side B, “Cheap Leather,” featuring Fred Schneider.

When I saw the Mini Mansions open up for Arctic Monkeys in Oct. 2014, they really warmed up the crowd and made their performance passionate and entertaining. I remember hearing many gasps and woahs when Shuman and Parkford hit their high notes. Shuman impressed me by being a singer, drummer and guitarist all in one on stage; clearly he is very talented. As a band there were many impressive hair flips and moves on stage, which was also great to see in general. Seeing the Mini Mansions live made me realize they will only continue to grow their fan base and become an even better band in the future.


Turner goes deep with “Submarine”

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Submarine vinyl record cover, featuring lead character, Oliver Tate, played by Craig Roberts.

By: Emma 

Coming of age movies have always been quite popular, however, the ones that put more of a creative spin on the concept overall, are the ones that rise above the rest. The movie, “Submarine,” was released in the UK in Oct. 2010 and to the US in Jan. 2011. This may be a little late to review, but I think the soundtrack and movie should be praised again for just being amazing. The actors and actresses, the set and story line, create a film that is very relatable to everyone while entertaining. However, one key aspect to the film is its soundtrack, written and performed by Alex Turner, lead vocalist of the hit band, Arctic Monkeys. Without even watching the movie before writing the songs, Turner created a five song soundtrack that relates to the movie while displaying his meaningful lyrics.

To begin with, the soundtrack as a whole was the start of Turner’s first solo debut. The acoustic songs that are included on this album are, “Stuck on the Puzzle,” (including an introduction version) “Hiding Tonight,” “Glass in the Park,” “It’s Hard to Get Around the Wind” and “Piledriver Waltz.” The songs are slow and mainly focused on Turner’s smooth vocals that come from something a bit deeper within himself. The songs are refreshing and complement the movie when played throughout the film. For this review, I will interpret what the lyrics mean and how Turner creates them all into unique and beautiful pieces.

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Back cover of Submarine vinyl record. Soundtrack by Alex Turner and movie directed by Richard Ayoade.

The first song, “Stuck on the Puzzle,” starts off the movie with Turner singing, “I’m not the kind of fool who’s gonna sit and sing to you, about stars girl,” meaning that Turner is not going to serenade a girl to be with her. The girl in the song could perhaps be a beautiful girl that everyone wants to be with and they all serenade her and write her songs, while Turner sets himself apart from the others by doing nothing and being an outsider. The song really sets an atmosphere to the movie and progresses to the lines, “Fingers dimming the lights, like your used to being told that you’re trouble,” which can describe how the girl “set the mood” with men and does not care what other people think of her. One of the last lines of the song is, “I tried to swim to the side, but my feet got caught in the middle,” this could describe the decision Turner wants to make but he keeps stopping himself because he is confused. Perhaps because he does not know how to approach the girl he desires. I love the fact there is two parts to this song, the intro that makes you want an explanation, and the second body part that holds all the information and tells the story. Turner is brilliant when it came to this.

The second song on the soundtrack, “Hiding Tonight,” is a bit more gloomy and depressing. Through this song, Turner conveys he is hiding away from his problems and not facing reality. The lines, “Tomorrow I’ll be stronger, running colorful, no longer just in black and white,” can mean he is going to hold off fixing his problems until tomorrow and become a better, happier person, however, he is never going to fix them if he keeps holding them off. “So we can sail our laughing pianos, along a beam of light, but I’m quite alright, hiding tonight,” this could show that sometimes Turner will daydream and be disconnected from the world than actually face his problems, like many people. Even though this song is bitter in parts, it is also sweet in the way of what a couple could be doing instead of facing their lives. Turner creates amazing imagery through this song and shows his creativity while relating to the fact that sometimes people need help and guidance when trying to do things on their own.

The third song played is “Glass in the Park.” The lyrics to this song are mainly about how a person in a relationship can become overprotective and always want to be with their significant other. They will do anything just to spend a moment with them. The line, “If the sun’s in your eyes, I’ll tighten your blindfold, baby,” can mean that Turner is obsessed about the girl he loves and tries to control her so she will stay with him. Turner is very thoughtful with the words he chooses in all of his songs, especially with “Glass in the Park.” He thought up the lyrics, “I’ve got a million things that I need to do, but they’re all secondary,” and, “I can’t keep my feelings in disguise, the white parts of my eyeballs illuminate,” and he provides examples of how passionate he is for “the girl,” and his thought provoking lyrics in general.

The fourth song on the soundtrack is, “It’s Hard To Get Around The Wind.” Turner expresses, “It’s like you’re trying to get to heaven in a hurry,” gesturing that someone is trying to commit suicide. “But as long as you still keep peppering the pill, you’ll find a way to spit it out again,” could be showing the more and more times they try to commit suicide, they will think about their lives or something they care about that will make them reconsider. “And even when you know the way it’s gonna blow, it’s hard to get around the wind,” could mean the obstacles in life is the wind, and even though someone may be able to predict how it will blow, it can still be hard to prevent the gusts. Turner really tells a story with his words in this song, and makes a slow song into a very heavy one, with its subject.

The last song on the soundtrack is “Piledriver Waltz.” Originally written for the movie, Turner liked it so much he wanted the Arctic Monkeys to make another version of it for their album, Suck it and See. The song is mostly about a break-up, like some of the other songs on the soundtrack. The name itself, “Piledriver Waltz,” can describe that through the sound of a mechanical and loud machine driving into the ground, there can be dancing that goes with it. The lines, “I heard an unhappy ending, it sort of sounds like you leaving, I heard the piledriver waltz, it woke me up this morning,” could mean that Turner knows his relationship is going to end badly but the relationship was still a dance worth having. The “Piledriver Waltz” could also mean that with the fighting and lack of communication between them, they can still dance through it together. The line, “If you’re gonna try and walk on water make sure you wear your comfortable shoes,” can show if she is going to leave him, she has to do it the right way, with no pain. Turner creates more meaningful lyrics than obvious ones. He tries to get his audience to understand what he is saying and relate to it.

Submarine soundtrack by Alex Turner in a mock photo of the movie poster.

Submarine soundtrack by Alex Turner in a mock photo of the movie poster.

All in all, the soundtrack for “Submarine” by Alex Turner, really combines and flows with the movie beautifully. With his vocals, that are considerate and meaningful, and with the soft strumming of his guitar, he creates a musical package that seem to complement each other in a way that is enjoyable and soothing. This was also a big step for Turner, making him challenge himself as an artist and work independently. Turner creates powerful imagery with his words and works hard to really put his experiences in his lyrics and make his audience relate to it. Clearly this work describes how talented Turner really is and is just a taste of what is more to come for Turner as an artist, and the Arctic Monkeys.


Bad Suns shine in Phoenix

By: Emma 

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Singer, Christo Bowman, swayed to his funk inspired guitar riffs.

Having been slightly unfamiliar with the Bad Suns debut album Language & Perspective – – excluding their most popular songs, “Cardiac Arrest”, “Salt” and “Dancing on Quicksand” – – their live performance at The Pressroom in Phoenix on the night of May 16, was a bit more promising and clever than expected.

With an impressive range of vocals and guitar riffs similar to 80s pop, the Bad Suns put their original twist on a unique California sound. Perhaps the album itself relates more to the adolescent and high school crowd, which explains the lack of 21 year-olds and over at the open bar, but the Bad Suns still offer potential to be appreciated by fans of any age. However, the fact the youthful crowd was energized by the songs and lyrics of Bad Suns, only means that they are on the right track of popular demand and ticket sales.

After two hours of opening bands, the fans were eager for a “Transpose,” which was also the Bad Suns’ first song to their electric performance. The lead singer, Christo Bowman, drummer Miles Morris, bassist Gavin Bennett and guitarist Ray Libby, sparked the crowd immediately from the drag atmosphere (perhaps created by the second opening act) and created a screaming frenzy. They presented their California vibe with bright lighting and casual attire onstage.

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Screaming into the crowd, Christo Bowman was pulled into the masses of fans.

Certainly their most popular songs were the ones most noted by the fans, however, it was surprising to hear every lyric from their album often repeated from the crowd. The masses devoured every musical sound the Bad Suns threw at them and spit it right back at the performers, which fed Bowman’s energy.

Before the song “Rearview” on their 2014 album, Bowman was crouched and leaning into the crowd while yelling into his microphone – – the crowd pulled him in and put him on a human pedestal for the song. Clearly Bowman is passionate about his performances and connects with his fans. Truly the live performance the Bad Suns presented was exciting and lively. Listening to them come together as a band was captivating and a little bit inspiring at the same time. Because of these factors the album really shined at its best in its live raw form of sound.

After the show, a few of my friends and I had to wait for a good 45 minutes for our means of transportation and just happened to be standing next to the door of The Pressroom’s backstage lounge. Some of the band roadies and opening band performers stood outside the door for a smoke and a chat, and it was interesting to hear them talk about touring and partying mostly.

I thought it was very surprising to not see many eager fans waiting to meet any of the performers after the very successful and exciting show. But the few who did wait and stood awkwardly wanting to talk to Bad Suns’ Bennett, seemed more disappointed at Bennett’s way of disinterest towards them. He seemed more focused on the conversation he was listening to, rather than the several fans just staring at him, waiting for his response but not wanting to interrupt. Finally a fan went up to him and asked him for a signature on an album and he reacted hesitantly, but eventually did sign the album and engage in a brief chat. I was disappointed in the lack of effort and dedication Bennett gave to his fans, and I did not want to bother him if he was that uninterested in the people who watched his show.

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Drummer, Miles Morris’, signature on Language & Perspective vinyl record.

After most of the fans and band crowd subsided, Morris came out of the door looking to head for their tour bus and caught a glimpse of the few fans left standing around talking about the show. He was very forward and had no problem with taking pictures and signing albums. He was patient and showed he really did care for the people who watched him perform. Because he did show interest in the few of us, he signed my copy of Language & Perspective on vinyl and took a picture with us. It was refreshing to see someone show consideration towards their fans, and with Morris in mind, the Bad Suns are definitely on the right track.